Out of the Archives: Madness Radio

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Three years ago this month, I was turning in the final copy for Hello, Cruel World to my editor, Crystal Yakacki at Seven Stories Press. One of the earliest interviews I did for the book was a 45 minute show out of the Pioneer Valley in Massachusetts. The show is Madness Radio. Will Hall is the host, who's got ties to The Icarus Project, a peer-to-peer support group for youth diagnosed with bipolar and related disorders. I'm a big fan of both The Icarus Project and Madness Radio.

Last night, I had the chance to recommend Icarus to a friend who's going through some hard times, and today I got an email from Will Hall. Oooooh! Synchronicity! Wil was writing to let me know that after three years on the web, the episode just got its first ever comment. LOL! In celebration of this event, I'm opening the vaults. Enjoy the listen.

kiss kiss, Kate

Gender And Sex Positive Talent Agency Open 4 Biz, Needs a Name.

Contest alert!! 
Name the new LGBTQ etc booking agency! 
Seraphin1

Wouldn't you just love to work with this woman to book your next campus, conference, or corporate queer talent? 

More and more LGBTQ etc. artists, theorists, film-makers, performers, and lecturers are criss-crossing the globe with their cutting edge sex and gender positive work. For years, there's been no central booking agency for this work. That changes now: there's about to be one place where you can book a full rainbow of Talent: performers, authors, sex educators, activists, comedians, musicians, dancers, and more. We're not exactly a collective, but we're all working together to help get this project off the ground. 
The woman heading this up is Seraphin (pictured here)—she's been booking talent for MTV, but she thinks we're a lot more fun! 
Seraphin is putting a database together from all our contacts. She's also working on the website as I'm writing this. But we can't open the website WITHOUT A NAME?!

In the meantime, though… the agency is open for business! In the spirit of tribe, we promise to keep all our booking fees fair. None of the speakers or performers will be upping our fees to pay the agency a commission. We want all of us: the agency, you as producer, and us as talent—to do well in bringing queer talent out into the wide, wide world. The aim of the agency is to make it possible for anyone to find great affordable queer talent for their campus, company, theater, or conference.

The new agency is opening with these clients: Kate Bornstein, Barbara Carrellas, S. Bear Bergman, Midori, and Dr. Ducky Doolittle. But this is so just the beginning. The as-yet un-named agency is expecting to represent more and more talent over the next few months. If you want your act represented, please email Seraphin at and she'll talk over agency terms with you.

And if you want to book any of us, you can contact Seraphin with a click of the button. The agency already has it's own Twitter account: twitter.com/LGBTQ Bookings. And yes, it includes a LOT more than simply LGBTQ. As an agency, we aim to include any talent who's sex and gender positive.

HELP US FIND A NAME, PLEASE?
Please send us your ideas for the agency name. We want the name to be inclusive of ALL folks whose work is located on the matrix of sex positivity and gender anarchy. Make it sassy! Make it surreal! Make it sweet or serious or sensational. We can't wait to hear what your furry li'l imaginations come up with!

Over the next week, please send us your ideas either via Twitter or by commenting on this blog, or both. Enter as often as you like. We're working out prizes, and we'll be announcing them in a day or two. 

Hurry! It's SO HARD TO LIVE WITHOUT A NAME! The entry deadline is April 29, 2009 and the winner will be announced May 1st, 2009 (which just happens to be my 23rd girl birthday!!!) Get your entries in fast!

This is an exciting development in the queer world, and I'm pleased and proud to be part of it. Please join on in.

kiss kiss

Kate

Disappeared Sex Positive, Gender Bent Books On Amazon.com

CensorshipFollow Breaking News on Twitter: #amazonfail

It's been called to my attention that it may not be possible to buy new copies of any of my books on Amazon.com. You can find Kindle editions for Hello, Cruel World and My Gender Workbook. Whoopee. And there's no record of my sales record there, either. Dang.

I'm not the only queer, sex positive, gender bent author to have gone missing.  

Thank you, Melissa Gira Grant at Sexerati, who's got the most up-to-date coverage of this weird, weird right wing news of literary censorship. 

Among the MIA (Missing In Amazon): Barbara Carrellas, Dossie Easton, S. Bear Bergman, Helen Boyd, Laura Antoniou, Candida Royale, Julia Serano, Carol Queen, Annie Sprinkle, Lawrence Schimmel. And those were just the first couple I searched for. Holy poop! 
Wasn't Bush voted out of office?? Who is putting this kind of pressure on Amazon.com? Whoever it is, they don't know how subversive and queer Judith Butler is. You can still buy her books on Amazon. But I wouldn't. I'd buy all my books elsewhere, until Amazon comes to it's senses.

I'm writing my agent and publishers to see what's up. In the meantime, you can buy my books through your local queer and sex positive bookstore. If you don't live near a queer or independent bookstore and need to buy online, do check out Powell's Books, a fabulous independent bookstore in Portland, Oregon. Or you can find them used at ABE Books.

Petitions and write-in campaigns have already begun. Check with your fave queer authors' blogs and websites and Twitter accounts for more updates. I'll post more when I know more. 

In the meantime, persevere. Enjoy your sex positive, genderbent theory and porn.

Frak Amazon.com.
Kate

I’ve Been Lying All Along. Gender IS a Binary.

Men women
Of course gender is a binary. What else could it be? For thousands of years—via dozens of major religions, all doctors ever, hundreds of wise philosophers, and countless laws, rules and regulations, even via God Himself—gender has been understood as a binary: man and woman. That's it. I wrote Gender Outlaw as a lark. I'm not even transsexual, for goodness sakes! I don't understand those people. Do you? But once I made my first year of six figure income from sales of that book, I figured what the hell… and then I wrote My Gender Workbook. Excuse me… as if someone could or would "work" their gender. What a laugh. I'm sorry if anyone took me seriously. It was fun for me to write, and I hope no one was inconvenienced.

kiss kiss
Kate

SistersTalk: New Politics, Served Up Old School

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A LESBIAN BLOG WITH LIBERAL TENDENCIES

I came out into the world of lesbian community in the mid-1980s. I had just begun the process of my gender change to woman, and community was a new concept for me. Women called each other sister. Lesbians reached their hands to each other. A very few of them extended their hands to me, the new trans thing on the block. Not many 80s lesbians embraced tranny lesbians. The popular word was that we trannies had our sights set on taking over the women's movement. But a few good-hearted women ignored the warnings of their more conservative, separatist sisters. 

Networking has always been important to the many women's movements of the 80s. There was no internet back then. Lesbians networked by phone, or in meeting rooms and kitchens. Magazines and newsletters kept women informed of political progress and tribal whereabouts. The simple act of reading one of those early journals—written with such warm hearts—was enough to make a sister feel hooked in and part of something bigger.

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I met Genia Stevens on Twitter. Genia (pictured, right) has been lead blogger for the SistersTalk website for over six years now. She weaves her postmodern political awareness with a tone that calls to mind the old lesbian print media of the 80s. I'm honored that she's asked me to appear on her blogtalkradio talk show: SistersTalk Radio. Genia and I invite you to tune in Sunday evening, March 22nd at 6pm, EDT. For more info, visit the radio site here

It's a call-in show, so please call in and let's network.

kiss kiss

Kate

Ajmal Hussein and The Scholars, by Idries Shah

Over the past couple of decades, I've ended up on the losing side of philosophical and pedagogical run-ins with scholars, academics, and students who are trying to learn scholarly, academic ways. I inevitably manage to lift my spirits by reading and re-reading this essay by Idries Shah.

Nasrudin
Idries Shah writes about Sufis, who are to Islam roughly what Zen practitioners are to Buddhism: out and out fools and borderline apostates. Sufis and Zen masters teach with comedy, fun, slapstick, irreverence, and paradox—all of which have for aeons been anathema to the world of serious scholarship and academia. 
I highly recommend any of Idres Shah's books, but particularly any of his collection of tales of the Grand Mulla Nasrudin—a much beloved Sufi Trickster character, most commonly portrayed riding backwards on his beloved donkey.
However, in this essay from his book, The Wisdom of Idiots, Idries Shah writes about a true Sufi master: Ajmal Hussein. In this tale, Shah attempts to delineate Sufi wisdom from scholarly knowledge. Here's the essay in its entirety. If you enjoy it, please consider buying yourself a copy of The Wisdom of Idiots.

The Story of Ajmal Hussein and The Scholars

Sufi Ajmal Hussein was constantly being criticized by scholars, who feared that his repute might outshine their own. They spared no efforts to cast doubts upon his knowledge, to accuse him of taking refuge from their criticisms in mysticism, and even to imply that he had been guilty of discreditable practices. At length he said:

‘If I answer my critics, they make it the opportunity to bring fresh accusation against me, which people believe such things. If I do not answer them they crow and preen themselves, and people believe that they are real scholars. They imagine that we Sufis oppose scholarship. We do not. But our very existence is a threat to the pretended scholarship of tiny noisy ones. Scholarship long since disappeared. What we have to face now is sham scholarship.’

The scholars shrilled more loudly than ever. At last Ajmal said:

‘Argument is not as effective as demonstration. I shall give you an insight into what these people are like.’

He invited ‘question papers’ from the scholars, to allow them to test his knowledge and ideas. Fifty different professors and academicians sent questionnaires to him. Ajmal answered them all differently. When the scholars met to discuss these papers, at a conference, there were so many versions of what he believed, that each one thought that he had exposed Ajmal, and refused to give up his thesis in favor of any other. The result was the celebrated ‘brawling of the scholars.’ For five days they attacked each other bitterly.

‘This,’ said Ajmal, ‘is a demonstration. What matters to each one most is his own opinion and his own interpretation. They care nothing for truth. This is what they do with everyone’s teachings. When he is alive, they torment him. When he dies they become experts on his works. The real motive of the activity, however, is to vie with one another and to oppose anyone outside their own ranks. Do you want to become one of them? Make a choice soon.'

Idries Shah    

Boy, that makes my day. I feel better already. How about you?

Beginning next week, I head out on my next round of speaking and performance engagements. I hope to see you soon.

warmly,

Kate

You say goodbye. I say hello.

Hello goodbye
******************************************

Watching Inauguration 09 in my living room. Shot this on my iPhone using an App called Quad Camera. (click image for full size photo)
Four snaps for President Barack Hussein Obama! Big love for all of us!
— Kate

This Is How I Remember Things

Davids_family_b4_TP
This past Christmas holiday, I visited my partner Barbara's family up in Middletown, RI. I've been going up there for Christmas for the past 12 years. This year, Barbara's cousin gave Barbara a rare photo of her family, gathered round for the wedding of her mom and dad. I told B's family I'd do my best to recover the picture. This is how the photo looked when I scanned it in.

I've been a PhotoShop enthusiast for many years. I've learned tricks and tips reading books by Scott Kelby, and attending his seminars. But I never sat down to recover a picture in as bad a shape as this one. There's scratches, missing faces, burnt out details. You can click on the photo to see it full size.

Davids_family_after
I went to work, adjusting contrasts, coaxing out details, sharpening blurry parts, removing scratches and splotches. Where the hole was too big, I had to fudge a face or two. In the parts of the photo that were almost completely grayed out, I had to invent new outfits for a couple of the gentlemen in the back row. After about a day's work, I ended up with this photo. I was even able to enlarge it a bit. You can click on it to see the full picture. It's not bad for a first whack at correcting an old photo.

I'm the last one left with many memories and stories about my brother, my father, and my mother. I'm 60 years old, so there's a LOT to remember and I tend to get fuzzy on details. I tend to tell what Mark Twain would call stretchers. But I've sworn to myself to make this new memoir I'm writing as accurate and as loving as I possibly can. So, how do I access the memories I alone possess? That worried me until I corrected this photo. See, I've long been a practicer of Cheri Huber's Zen koan: The way you do anything is the way you do everything. And I realized that the way I corrected this photo is the way I'm going to have to remember my mother, my father, and my brother.  

In writing this memoir, I'm going to be coaxing out details of my memory. I'll do my best to sharpen the blurry parts. If I have to fudge a face or two, I'm going to err on the side of love and the best in them. If I have to dress up any of the stories about people in order to fill in the holes of my memory, I'll do my best to make people look as good as I can most lovingly wish them to look. 

And that's how I'm going to remember enough to write this memoir.

Kiss Kiss

K

PS — A really good resource for PhotoShop users is the National Association of Photoshop Users. I'm a member whenever I can afford it. The monthly magazine alone is great, plus there's a live chat room with PhotoShop users who've always been able to answer my questions about how to get things done. 

Eulogy for my brother, Alan V. Bornstein

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The memorial service for my brother was held down on the Jersey Shore yesterday, January 2nd 2009. The service was held three days after he died, according to the wishes of his wife's family who aren't Jewish and don't observe the 24 hour rule for burials. Anyway, my brother and I both decided we'd rather be cremated so that messes up any orthodox burial. On top of that, I've got a gazillion tats, and just one tat will keep you barred from a Jewish cemetery burial. I'm babbling.

I hate that my brother is gone. This is a picture of me, him, and our Dad's dog, Skippy. 

 I'm home with the flu and a bad case laryngitis I've had for two days now. The laryngitis went away for the 13 minutes it took me to deliver his eulogy, and then it came back. That's show biz, it is. The show must go on is part of my ethos.

Before his body was cremated, I got to sit with my brother for awhile. I told him what I wanted to tell
him. I listened to what he had to say. I could hear him laughing. I hope I'm always able to hear him laughing—he loved a good joke. I promised him I'd write him a kick-ass eulogy. I promised him I'd make people laugh and I'd make 'em cry. He liked that. So this is the text of that eulogy

I hate that my big brother is gone. I hope the eulogy makes you laugh and makes you cry.

Happy new year. 

K

Eulogy for Alan Vandam Bornstein

Eulogy for My Brother, Happy New Year 2009
kate bornstein

Thank you, Rabbi Stanway, for your sweet summation of my brother’s life. Thank you, Stacey for your loving words. Thank you, Jen for your loving heart. Thank you all for coming to my brother’s memorial service on such short notice. I know that most of you aren’t Jewish, but the Jewish thing to do is bing-bang get the burial over with in 24 hours. I’ve buried all my Jewish family within a day of their deaths. I know it’s a rush for you, but it’s been 3 days, and I’m not used to having all this extra time. Turns out not to be such a bad thing. I had time to get to know my brother’s family better. I had time to write this eulogy.

My brother was not a practicing Jew. He called himself a cardiac Jew—a Jew at heart.
If you know my brother, you know how much he loved to consult the internet for every little thing. So in honor of his love of his computer, the internet and gadgets in general, I decided to consult the internet and see what I could come up with in terms of wisdom about brothers. 

I found this quote by Clara Ortega on every quotation site I looked at, so I guess her words touch a lot of people as being true and wise:

“To the outside world we all grow old. But not to brothers and sisters. We know each other as we always were. We know each other’s hearts. We share private family jokes. We remember family feuds and secrets, family griefs and joys. We live outside the touch of time.”

I don’t know about you, but the past few days since Alan’s unexpected and untimely death last Tuesday, I have been living totally outside the touch of time. Really. See, time is measured by memories and dreams and when you’re outside of time, memories get lost or out of order. And dreams? We forget them in our grief. Or we misremember our dreams as reality. That’s what it means to be outside of time. 

My big brother is gone, and I want to honor his life. It’s not the first time I’ve done this. As my brother’s best man, I wrote the first toast at his first wedding. Today, as his surviving sister, I’m writing his eulogy. 

Did that line get ya laughin’, Alan?

I’m going to share with you some of the jumble of our shared memories that is my mind in these sad days. Like, did you know that for his college summer job, Alan managed two of Asbury Park’s largest movie theaters? He did: The St. James and The Mayfair. He used to get me in for free. On weekends, the St. James had kiddie matinees. There was always a raffle and a prize. One weekend, he rigged the raffle so that my friend Ricky McDonough and I both won. That week, the prize was a plastic model submarine, and he knew how much I loved building models.  In the summer of 1962, against my parents’ wishes, Alan let me watch the very adult film, Lawrence of Arabia eight times during its exclusive Jersey Shore run.

Did you know that my brother’s passion in high school—his favorite extra-curricular activity—was acting? Every time he was in a show, my dad drove us all up to Bucks County, Pennsylvania to watch Alan perform the lead roles of the Stage Manager in Our Town, and Shylock in Shakespeare’s Merchant of Venice. He made me laugh and he made me cry. Twelve years later, Alan travelled up to Providence Rhode Island to watch me perform the role of Launcelot Gobbo… Shylock’s clown servant in Merchant of Venice. A few years later still, he watched me play King Lear. I made him laugh, and I made him cry. Alan’s love for theater and his finesse as an actor had a lot to do with my own decision to become a playwright and performance artist.

Alan and I grew up in a household that listened to Perry Como, Lawrence Welk, and Doris Day. My big brother changed all that. He bought us our first Hi-Fi stereo phonograph. He was always on the cutting edge of gadgets and technology. 

He brought the calypso beat of Harry Belafonte into our house. He brought folk musicians The Kingston Trio, and Country Western’s Johnny Cash. My brother made my Jewish family laugh by bringing home comedy albums of up and coming comedians: Steve Allen, Bob Newhart, and Bill Cosby. His favorite vocalist of all time was Eartha Kitt, who passed from this world just a week ago. She was 81. Alan was 67.

Here’s a favorite quote of mine from storyteller Garrison Keillor:

The highlight of my childhood was making my brother laugh so hard that food came out his nose. 

Gotcha laughing yet, Alan? Here’s a story I know is gonna make you howl.

My mother’s mother, Essie, lived with us. She babysat the two of us when my parents went out dancing or to dinner, or for a weekend at the races. One of my earliest memories of my brother was the beautiful, warm spring day in 1952. My parents were driving home from the Kentucky Derby. It was the first year they’d televised the Derby, and Alan and I watched for but never saw their faces on TV. Essie wanted everything to be perfect for them when they come home. It was a warm day in May, and she dressed me in a seersucker playsuit. I was four and I looked really cute. It was getting close to the time they’d be pulling around the corner in the huge Packard, which was four years old just like me. 

“C’mon outside so they can see us when they turn the corner,” my brother cried. And I followed him. I always followed big brother whenever he told me to.

“Stand right here. It’s the first place they’ll look, and you’ll be the first person they see!” 

Wow! I stood right where he told me to stand, just in time to see my parents pull around the corner in their big old car. I jumped up and down and waved. I saw them wave back through the windshield. And that’s when Alan pulled the cord, and let down the awning that had filled with water from the big rain we’d had the night before. 

Torrents of water poured over me. My seersucker play suit clung to my cold wet skin. Stunned, I saw my mother break into laughter. My father had stopped the car in the road. He was laughing, too. Essie had run out of the house and was chasing Alan with a rolled up newspaper. It was a terrible moment and a terrific memory.

My big brother had the best bedroom in the house. It was a second-floor front corner room. Here’s something our parents never knew: in the summer Alan would climb out the side window, slide down the shingled roof and catch himself from falling by grabbing onto the huge tree branch that touched our drain gutters. Then he’d shimmy his way along twelve to fifteen feet of branch and scurry down the tree trunk where his friend Nick Antich would be waiting. They’d go out riding their bicycles. I never knew what time they got back, or how he got back into his room. I’d always fallen asleep before they returned. 

When Alan moved out, I got his room, but by that time lightening had struck down the tree on the corner, which was just as well because I was way too scared and too chubby to following the acrobatic footsteps of my skinny brother’s derring-do late night life. Oh yeah, he was the skinny one. I was the fat one. He was Wally, and I was the Beaver.

When I was ten, maybe eleven, I was alone in the living room with one of my uncles. He was poking me in the tummy.

“You’re puttin’ on some weight there, aren’t you, Albert?”
Poke.
“You’re gettin’ to be a regular chubby little guy, eh?”
Poke, poke.
“In  few more years, you’ll be…”

And then my uncle wasn’t standing in front of me any more. My brother Alan had run into the room. He’d yanked my uncle away and slammed him up against the living room wall. He was holding my uncle by his shirtfront. He was furious. 

“Don’t you ever tease my little brother like that again. Ever. You hear me?” 

My uncle nodded his agreement, and he never did tease me again.

I know I’ve thanked you for that before, but thanks again, Alan.

My big brother loved Science Fiction, and I read his books second hand: Robert Heinlein, Ray Bradbury, and Fredric Brown. We even had an old 1947 copy of Astounding Tales up in the attic, with a story in it by L. Ron Hubbard. This was years before Hubbard set up his cult of Scientology, which—in 1970—swept me away from my family for nearly a dozen years. 

I was the black sheep of the family. I mean, no duh! This is not how a proper Jewish man is supposed to look when he’s delivering his brother’s eulogy. I was always coloring outside the lines. I was the rebel, I was the hippie, I was the artist.

My brother wasn’t a beatnik. He was too clean cut for that. He was a fraternity man in college: Tau Kappa Epsilon, TKE. Every six weeks ago, he’d bring a dozen or so of his frat brothers home to New Jersey for sleep-over parties at my parents’ house. My father provided the beer, my mother made the lavish morning-after brunch. Girls slept everywhere upstairs, and boys slept everywhere downstairs. Bruce Hoffman’s father sat  awake on the stair landing all night, to make sure there was no hanky-panky going on.

Alan was a pre-war baby, 1941. I was born a year after the armistice in 1948. The seven years that separated us kept us apart most of our lives: me at home while he was away at summer camp or prep school, college, graduate school, the Air Force reserves. We saw each other infrequently as adults. By the time he moved back to the Jersey Shore, I was the one who was away at college, then graduate school, and then Scientology. 

Here’s another lovely quote from Clara Ortega:

The mildest, drowsiest sister has been known to turn tiger if her sibling is in trouble. 

I watched my big brother’s heart break once. Then twice. Then three times and four. If you know all the details about his heartaches, fine. If you don’t know why, it’s fine to simply know he was broken-hearted one time too many. 

Bornstein men, including me, when we’re that hurt? We isolate, we hide, we get angry, we want the world to go away. Well, Alan was badly hurt. He moved in with my mom who’d lost her husband to death and her younger son first to a cult and then to a sex change. For over a decade, Alan lived with our mother as a recluse. He stopped having fun. The two of them rattled around in that giant old house of ours in Interlaken. 

My big brother became a frightened, angry, pale-skinned old man. He was Boo Radley in To Kill A Mockingbird. But then, our mother introduced Alan to Deborah. It was love at first sight, and Alan’s life changed for the better at that moment. Apparently the Beatles were right when they sang Love Is All You Need, because Deborah’s love and the welcome Alan received in her family—that’s what saved my big brother’s life and I’m grateful to you all more than words can say. In the arms of your love and your joy, he blossomed again like a flower. Because of you and your family, Deb, I can tell people that my brother died ahead of his time, but he died a happy man.

So, Happy New Year. This year, I plan to keep Alan’s spirit safe and happy. I’m dedicating my 2009 to the spirit of Alan Vandam Bornstein, Al, Doc, Pop Pop—whatever you called him—to the love he gave, and the love he inspired in others. When I miss you, Alan—and I will, I already have, and I will, we all will—but when that happens, I’m gonna look at the world through your compassionate eyes, your mischievous eyes, your generous eyes. And that’s how I plan to honor you, big brother. I am the fierce tiger standing guard over your honor. I promise. 

So, happy new year. In 2009, I invite you to join me in dedicating this year to living life the way our Alan would have loved us to live it. Thank you.